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Nina Eidsheim is the author of Sensing Sound: Singing and Listening as Vibrational Practice and The Race of Sound: Listening, Timbre, and Vocality in African American Music; co-editing Oxford Handbook of Voice Studies; Co-editor of the Refiguring American Music book series for Duke University Press; recipient of the Mellon Foundation Fellowship, Cornell University Society of the Humanities Fellowship, the UC President’s Faculty Research Fellowship and the ACLS Charles A. Ryskamp Fellowship. She received her bachelor of music from the voice program at the Agder Conservatory (Norway); MFA in vocal performance from the California Institute of the Arts; and Ph.D. in Musicology from the University of California, San Diego. Eidsheim is Professor of Musicology, UCLA Herb Alpert School of Music and founder and director of the UCLA Practice-based Experimental Epistemology (PEER) Lab, an experimental research Lab dedicated to decolonializing data, methodology, and analysis, in and through multisensory creative practices.

Caeso: composer, guitarist, computer musician, sound-multimedia-and-etc-artist, has a diverse creative output, exploring mediums such as acousmatic, live electronics, free improvisation and also traditional written composition, besides building sound sculptures, visual and multimedia artworks, and other gadgets. Apart from researching and teaching, he collaborates with several other artists, composing, producing and developing technical projects for soundtracks, soundscapes and interactive installations for theater, short movies and exhibitions. His current research interests are creative uses of DIY technology and the poetics of negativity.